The fifty two Tuesdays of the title area unit the times James and Billie put aside to fulfill, to pay time that is almost about them, when James asks Billie to maneuver into her dad’s place to relinquish her some area. they’re imagined to be a time once they will speak, however over time, what has forever been an in depth relationship bit by bit weakens. maybe this is able to have happened anyway. James had been petrified of the discomfort that observation Billie mature physically may bring, however did not account for the expansion of a replacement material possession, another adult with a completely new set of desires and needs. Billie, meanwhile, is totally cool with the thought of transition however hasn’t accounted for the impact of her mother having huge things to deal with and not forever swing her initial.
With her well intentioned nevertheless inattentive pop paying solely passing attention to her comings and goings, Billie seeks out opportunities to explore and develop her own identity. Unsurprisingly, this includes her sex, nevertheless courageously, though the folks she experiments with area unit older, the film ne’er pints her as a victim. She’s assured, assertive; she hides her vulnerabilities well. What she does not perceive is the way to affect the social consequences of her activities. still, there is a hint that she may need found one thing that matters, one thing lasting and valuable; which, ultimately, she and James can be ready to reconcile as whole and honest adults.
There area unit only a few films out there concerning trans men (contributing to the misunderstanding that they are rarer than trans women) and fifty two Tuesdays handles this a part of its material with uncommon grace. this can be due partially to Del Herbert-Jane, a genderfree person (neither male nor female) UN agency ab initio came on board as Associate in Nursing consultant and UN agency fits simply into the role of James. it is also attributable to disposition on author Matthew Cormack’s half to make a personality UN agency is not solely trans, one thing several otherwise well intentioned filmmakers overlook.